Overview

Back-illuminated 24.2 MP full-frame sensor

The 35mm full-frame Exmor R CMOS image sensor features 24.2-megapixel resolution, back illumination and gapless on-chip lens design for extraordinary sensitivity and dynamic range, and other innovations that unleash the sensor's power to make images look realistic.

Enhanced BIONZ X image processing engine

The latest front-end LSI makes data readout from the image sensor approximately two times faster and the BIONZ X image processor in the Sony A7 III is now about 1.8 times faster. Enhanced image processing realizes lower noise and further extended dynamic range across a wide sensitivity range of up to ISO 51200 (standard ISO, expandable to ISO 50-204800 for stills). Moreover, upgraded Detail Reproduction and Area-specific Noise Reduction achieves noise reduction — equivalent of approx. one stop — in mid-range ISO settings. Also, reproduction of skin color has been dramatically improved, which is advantageous for portrait shooting. The α7 III also supports 14-bit RAW output even during silent shooting/continuous shooting.

693 phase-detect AF points and 425 contrast-detect AF points

An evolved image processing system and α9 camera. AF algorithms optimized for the α7 III improve AF speed, precision, and tracking performance. 693 phase-detection AF points and 425 contrast-detection AF points provide high-density wide-area coverage. Up to approximately two times faster AF speed and two times more precise AF tracking performance let you capture and maintain focus on nimble wildlife in unpredictable motion. The α7 III also autofocuses reliably down to EV-3 brightnes.

Eye AF with doubled tracking performance

Eye AF's enhanced precision, plus two times greater AF speed and AF tracking performance further assist you to easily shoot a portrait of a moving subject using AF-C even during continuous shooting, and even if the subject looks down and away from the camera, or is backlit with face in partial darkness. The A7 III's E-mount body supports Eye AF for A-mount lenses mounted via an adaptor.

Focal-plane phase-detection AF supports A-mount lenses

Phase-detection AF can operate even when an A-mount lens is mounted to the Sony α7R III via an LA-EA3 adaptor that doesn't include a dedicated phase detection AF sensor. The 693-point focal-plane phase-detection AF system provides wide-area coverage, fast response, and high-performance tracking whether an A-mount or E-mount lens is attached.

Up to 10fps with AF/AE tracking

With new shutter unit and image processing system refinements, the Sony A7 III can shoot continuously at up to 10fps with AF/AE tracking (up to 8fps with minimal display lag in live-view continuous shooting mode) for easy, stable shooting of even intensely active subjects. An electronic shutter allows silent, vibration-free shooting of wildlife when even slight noise can mean missing an ideal shot.

Up to 89 RAW image buffer in continuous shooting

Greater buffer memory, system speed, and UHS-II support allow the A7 MK III to capture up to approx. 40 uncompressed RAW, 89 compressed RAW, or 177 JPEG images, in a continuous burst at 10fps. Fn menu/menu display access, setting changes and review playback can occur during data writing.

AF-ON button and multi-selector

The AF-ON button activates autofocus without any half-press-shutter-button focus sequence, so you can concentrate better on exactly when to release the shutter and capture the moment instantly. A multi-selector lets you shift the point of focus quickly and efficiently. You can select and shift the point of focus intuitively, so you won't miss great chances to shoot moving subjects.

Anti-flicker shooting

Flicker from fluorescent and other artificial lighting is automatically detected and shutter action is timed to minimize the flicker's effect on still images. This suppresses exposure and color anomalies at the top and bottom of images shot at high shutter speeds, as well as exposure and color inconsistency between continuous shots, so you can take images indoors with more confidence.

In-body 5-axis image stabilization rated up to 5-stops

Now more effective than ever for the α series, this comprehensive system compensates for five types of camera shake that tend to blur images: pitch/yaw shake when shooting at longer focal lengths; X/Y shake in close-up (including macro) shooting; and roll shake when recording stills at night and movies. It effectively achieves 5 stop-faster shutter speed, so the Sony A7 Mark III can take full advantage of its 24.2-megapixel and live-view image performance. Furthermore, it functions with A-mount lenses attached via mount adaptor, as well as E-mount lenses.

1200-zone live-view exposure analysis

A 1200-zone live-view exposure analysis makes color analysis and metering precise. Focus information from the lens keeps AE control and image brightness consistent even when subject position or background brightness changes. Highlight and Entire Screen Average metering modes now join the Sony A7 Mark III's Multi, Center, and Spot metering modes. When the Focus Area parameter is set to Flexible Spot or Expand Flexible Spot, the metering spot can be linked to the focus area.

Dual SD slots with UHS-II compatibility

The Sony A7 III camera provides two media slots for SD card (UHS-II-compatible for fast data writing) and SD/MS card, respectively. Two cards in the slots can be used to simultaneously record or relay record data, separate RAW data from JPEG data, or stills from movies, and copy data from one card to the other. The memory card cover is lockable to prevent it from being opened unintentionally.

2.359-million-dot OLED Electrinic Viewfinder

Providing high resolution, contrast, and the ability to see live exposure, the approximately 2359K-dot XGA OLED viewfinder in the A7 III faithfully depicts images with clear corner-to-corner visibility. Magnification is 0.78x (approx. 38.5° diagonal FOV). ZEISS T* coating greatly reduces obtrusive lens reflection on the ocular lens. Start-up is approximately 40% faster than with the α7 II when the camera is switched on. Furthermore, view mode can be set to “High” to provide finer and more natural details by taking maximum advantage of the data read from the 24.2 effective megapixel sensor.

Touch screen LCD for intuitive focus operations

A 3.0-type LCD touch screen with 922K dots on the Sony Alpha A7 III makes focus operation intuitive and instant. You can simply touch the monitor screen to specify a desired focus point with Touch Focus. Also, the Touch Pad function lets you drag the focus frame to another point with a fingertip on the LCD screen as you monitor the shot through the viewfinder. Additionally the LCD tilts up by as much as 107°, and down by as much as 41° providing a flexible viewing angle for low/high shots.

Approx. 2.2x higher capacity battery

For extended periods of confident shooting, the NP-FZ100 battery has approximately 2.2 times the capacity of a NP-FW50 battery, and an optional VG-C3EM Vertical Grip can hold two batteries. USB Type-C™ and Multi/Micro USB ports allow external mobile batteries to power the camera for extended recording. Even more conveniently, accessories such as a remote control unit can be used via Multi/Micro USB port while power is supplied via USB Type-C™ port.

Highly durable and operable in tough conditions

The Sony α7 III functions reliably in challenging environments. Its body is fortified by lightweight, high-rigidity magnesium alloy top cover, front cover, and internal frame. The number of lens mount screws has been increased to six for enhanced durability. Major buttons and dials are sealed. Sealing is provided throughout the body to minimize entry of dust and moisture

Smooth PC tethering via USB 3.1 Gen 1 port

A USB Type-C™ port supporting fast USB 3.1 Gen 1 facilitates high-speed PC Remote transfer of large RAW data files, so you can quickly review images on a PC and continue shooting without delay. Also, a setting to transfer only JPEG files to PC lets you check images via PC even more quickly after continuous shooting because the camera doesn't have to send big volumes of RAW data.

Flexible menu customisation

Register up to 30 frequently used items on the new My Menu for instant recall. You can create and customize an optimal menu for your own convenience.

Full pixel readout 4K recording

The Sony A7 III records High-resolution full-frame 4K movies with full-pixel readout without pixel binning that condenses approximately 2.4 times the amount of data required for 4K movies (QFHD: 3840 x 2160) results in minimal moiré and jaggies. Advanced image processing makes it possible to record full-frame 4K movies with outstanding image quality in the mid-to-high ISO range, so you make the most of the 4K movie format’s unique potential in every shot. Super 35 mm can also be selected, instead of full-frame mode, as needed.t.

Hybrid log, S-Log3, S-Log2

Supporting a wide range of HDR movie production needs, the Sony A7 III offers S-Log3, as well as S-Log2 gamma curves for more flexibility to express images through grading operation in post-production, and a new HLG (Hybrid Log-Gamma) picture profile for instant HDR workflow. Recorded movies played back on an HDR (HLG) compatible TV need no color grading to appear true-to-life, with no blocked shadows or blown highlights. [1] High flexibility to fine-tune images as desired (Color grading required) [2] Instant and high-quality image (Color grading not required)

Improved Fast Hybrid AF for movie recording

An efficient combination of focal-plane phase-detection AF and contrast-detection AF accurately locks onto quickly moving subjects, then tracks them smoothly. AF coverage for movies extends across an area almost as wide as the AF coverage area for still images, so once the high-density AF system locks onto a movie subject, the camera continues to track it steadily and tenaciously.

Versatile movie recording functions

The Sony A7 III provides a wide array of functions to facilitate workflows of professional videographers, including clean HDMI output, time code / user bits (TC/UB), rec. control, marker display/setting, zebra function, Slow and Quick Motion, simultaneous proxy movie recording, extraction of a still from a movie, and Gamma Display Assist function, among others.

One-touch remote & One-touch sharing

One-touch remote can turn a smartphone or tablet into a viewfinder/remote control. One-touch sharing transfers photos/videos to your device for social network site (SNS) sharing. Just install the PlayMemories Mobile app via Wi-Fi to your NFC-enabled Android device, and then touch the device to the camera to connect them. If you don’t have NFC, use QR code compatibility to pair the devices.

Specifications 

In the Box

• Sony Alpha a7 III Mirrorless Digital Camera (Body Only)
• NP-FZ100 Rechargeable Lithium-Ion Battery (2280mAh)
• Body Cap for E-Mount Cameras
• AC Adapter
• Micro-USB Cable
• Accessory Shoe Cap
• Eyepiece Cup
• Shoulder Strap

Overview

Ideal for on-camera use, the MixPad 11 Tunable RGB Hard and Soft LED Panel from NanLite is a fixture with a unique design that allows you to switch from the traditional soft output to a harder light output for sharp-shadow effects, with greater intensity that's ideal for long-throw work.

The 7 x 5.2 x 1.6" panel's profile coupled with negligible generated heat makes it conducive to positioning in tight spaces where larger fixtures can't go or for shooting at close range to your subject. Flexibility is key to the MixPad 11's design. The light has color temperature that's variable from 3200 to 5600K to blend in seamlessly with ambient light conditions, match other fixtures, or express creative effects. It also has an RGB mode that enables its red, green, and blue SMD LEDs to select from 360 colors with hue control that produces myriad color combinations. Light intensity is variable as well, from 0 to 100%. The MixPad 11 can run on AC current via an optional adapter but it can also be powered by NP-F batteries. Neither the AC adapter or battery is included with the light and one of them is required for use. The MixPad 11 has 1/4"-20 female threads that accept accessories such as a stand mount adapter, while an included cold shoe facilitates camera-mounting.

Specification

In the Box

• Nanlite MixPad 11 Tunable RGB Hard and Soft LED Panel 
• Battery + Charger

Overview

Rode VideoMic GO Lightweight On-Camera Microphone features: 

• High quality directional microphone
• No battery required
• Integrated Rycote® Lyre® shock mounting
• Our lightest mic at only 73g
• Rugged reinforced ABS construction
• Windshield included
• 3.5mm mini-jack output
• Integrated cold-shoe mount with 3/8” thread
• Two year warranty with online registration at www.rodemic.com/ warranty

Clear, directional audio on the GO!

Compact and light weight by design, the VideoMic GO delivers clear, crisp, directional audio with incredible ease of use. Its tight pickup area focuses directly in front of the microphone and reduces other surrounding sounds, ensuring that your subject is isolated from distracting background noise.

The integrated Rycote® Lyre® shock mount isolates your microphone from bumps and vibrations that could otherwise interfere with your sound.

Constructed from a single piece of hard-wearing thermoplastic, the Lyre® provides superior acoustic suspension to traditional elastic solutions, and will never wear out, sag or snap.

The VideoMic GO has no complicated switches or settings and is powered by your camera's external microphone input, requiring no batteries to operate, ensuring you never miss a great shot.

The VideoMic GO is designed and made in Australia.

Specifications

In the Box

• Rode VideoMic GO Lightweight On-Camera Microphone
• Windshield

Overview

The H6 Handy from Zoom is a portable handheld recorder and USB audio interface that features an interchangeable microphone system. The recorder ships with both XY and mid-side microphone modules, foam windscreen, 2GB SD card, four AA batteries, USB cable, Cubase LE and a hard carrying case. Optional module attachments can be purchased for expanded functionality. 

The H6 Handy allows for versatile recording techniques, giving you several options right out of the box. The included XYH-6 XY microphone module is made up of two matched unidirectional condenser microphones and is intended for capturing accurate, phase-correct stereo audio. The module allows you to adjust the angle of the two mics to either 90 degrees, or for a wider stereo image, 120 degrees. 

For situations that call for audio that allows for width control over your stereo image after it has been recorded, the XY module can be switched out for the MSH-6 mid-side stereo microphone module. Contrary to the appearance of the capsule, the mid-side module actually contains two elements positioned on top of one another: a unidirectional mic which faces forward (mid), and a bi-directional mic set perpendicular to it (side). In addition to providing you the ability to adjust the width of your stereo audio after it has been recorded, MS recording also provides true mono compatibility, a factor that comes into play in situations such as television production. 

In addition, the H6 is equipped with four XLR/TRS combo inputs for connecting external mic/line sources such as microphones or mixers. All four inputs and each of the mic modules are equipped with their own preamps with dedicated gain knobs that are easily accessible whether you have the unit mounted to your camera, or strapped over your shoulder. Also, each of the four combo inputs has its own -20dB pad. 

The recorder allows you to record up to six channels at once and stores them to SDXC memory cards up to 128GB in size. It also features a backup-record option that tracks a duplicate of the left and right channels with -12db input gain. This means that if you find that you have tracked your main audio too loud and that distortion has occurred in your audio, you will have a backup stereo mix with 12 db more headroom as a fail-safe. The unit also doubles as a 6-in/2-out USB audio interface and it can be used with your computer running the included Cubase LE or other DAW software.

Features

XYH-6 X/Y capsule also provides a secondary input for connecting an external mic or line level signal via stereo 1/8" mini jack

Optional wired controllers for remote transport controls

Optional hairy windscreen offers improved wind diffusion

Built-in speaker, located on the underside of the unit, for fast monophonic monitoring of the recorded signal without the need to make any connections

Interchangeable input capsules that can be swapped out as easily as the lens of a camera

Six-track simultaneous recording

Four mic/line inputs with XLR/TRS combo connectors

Physical gain control knobs and -20dB pads for each input

Phantom power for all main inputs: +12/+24/+48V

Records directly to SD, SDHC and SDXC cards up to 128GB

Up to 24-bit/96kHz audio in BWF-compliant WAV or a variety of MP3 formats

Auto-record, pre-record and backup-record functions

Multitrack to stereo internal mixdown

Independent monitor and playback mixes

Graphical VU meters

Voice memo and up to 99 marks per recording

Overdubbing, up to 99 takes

Built-in effects, including low-cut filtering, compression and limiting

Onboard MS decoding

Normalize, Divide and Trim editing

Chromatic tuner and metronome

Loop Playback with user-defined start and stop points

Variable playback speed, from 50% to 150%

Variable pitch per track without affecting playback speed

USB port for data exchange to and from computer

Multichannel and stereo USB audio interface for PC/Mac/iPad

Camera strap mounts

Mounts directly to DSLR or camcorder with optional HS-01 Hot Shoe Mount adapter

Accepts standard AA alkaline or NiMH rechargeable batteries

Over 20 hours of operation with 4 AA alkaline batteries

Large full-color angled LCD display that allows visibility whether mounted on a camera or strapped over shoulder

Specifications 

Overview

The BOYA BY-PVM1000 Professional Shotgun Microphone features a Line + Gradient pick up with the length of 27.8mm, features directional characteristics. The BY-PVM1000's high directivity, low noise and transparent audio reproduction make it a well suited microphone for Direct-coupled, balanced output ensures a clean signal even in high-output conditions Transformerless design for improved pickup of transients Switchable 80Hz high-pass filter.

Overview

The H5 Handy from Zoom is a compact, portable handheld digital recorder that is capable of four-track recording and features an interchangeable, modular microphone system. The recorder ships with an XY microphone capsule and is compatible with the existing line of H6 modules including the optional shotgun mic and XLR/TRS input modules. 

The included XY stereo mic module provides two matched unidirectional condenser microphones set at a 90 degree angle, and features a built-in shockmount system and a maximum SPL of 140dB. Additionally, the recorder is equipped with two inputs for external sources, allowing you to record simultaneously with the included stereo XY mic for a total of four input channels. Each input is controllable by its own analog gain knob, and also has a -20dB pad.

The recorder also has an LCD screen and a side-mounted toggle control for navigating through the menu options. It gives you fast access to transport functions, offering physical control buttons right underneath the screen, and conveniently stores its recorded audio to external SD cards.

In addition to the detachable X/Y capsule, the recorder also ships with a foam windscreen, a 2GB SD card, two AA batteries, a USB cable, WaveLab LE (download), Cubase LE (download), and a hard plastic case.

 In the Box 

• XYH-5 Microphone Capsule
• Plastic Case
• 2 GB SD Card
• Foam Windscreen
• USB Cable
• Steinberg WaveLab LE Software (Download)
• Steinberg Cubase LE Software (Download)
• 2 x AA Batteries
• Limited 1-Year Warranty

Overview

New sealed windshield design

A new sealed windshield design further reduces wind noise, giving you crisp sound when shooting outdoors.

Auto power-on/off

When switching on your connected camcorder/DSLR, the Rode VideoMic Pro+ will detect plug-in power from the camera and automatically switch on. When your done recording and there is no longer any power on the cable then the microphone will automatically switch off.

Powered by either the included LB-1 Lithium-Ion rechargeable battery or 2x AA batteries

The Rode VideoMic Pro Plus includes a LB-1 Lithium-Ion rechargeable battery that can provide the mic with over 100 hours of power. While recording or when turned off the microphone's LB-1 battery can be charged via USB. If the included battery is not an option then you can power the mic with two AA batteries. A built-in battery door makes replacing batteries a breeze, and it won't get lost.

Audio safety channel

The audio safety channel makes use of both the left and right audio channels (available on most cameras), and reduces the right channel's sensitivity by 10db to help ensure the signal does not clip when unexpected spikes occur.

Rycote lyre suspension

The Rycote Lyre based shock mounting system separates the VideoMic Pro+ capsule and electronics from its mount, providing isolation from external physical factors that may cause unwanted rumble and vibrations in the microphone. Constructed from a single piece of hard-wearing thermoplastic, the Lyre provides superior acoustic suspension to traditional elastic solutions, and will never wear out, sag or snap.

Removable connection. 3.5mm output port instead of a fixed cable

On the Rode VideoMic Pro Plus the 3.5mm jack cable is no longer fixed to the microphone, now if you want to use different length or mini jack cables you can simply plug it into the 3.5mm port on the rear of the microphone.

Two-stage high pass filter: 75hz and 150hz

A two-stage high pass filter option enables shooting clear audio in a variety of conditions. 75hz will reduce low frequencies such as rumble from traffic while 150hz will reduce sound from outside of the human frequency range.

Three stage gain +20db, -10db, 0db

20db, -10db, and 0db gain is selectable from a single button on the rear of the microphone. -10db will enable you to record loud subjects without clipping the audio, while +20db is designed to improve audio quality on DSLR or mirrorless cameras.

High frequency boost

High Frequency Boost will boost high frequencies enhancing detail and clarity in the recording.

Specifications

Overview

The Godox LR-160 Bi-Colour LED Ring Light is designed in a circular shape to fill your shot with light and create ring-shaped catch lights in your subject's eyes, making it perfect for portrait photography or video.It uses a soft light diffuser to reduce glare. The LR-160 has 4 light sections that can be individually switched on or off as desired and has a lifespan of 50,000 hours. 

Specification

Overview

In the Box

• 2x3m green screen
• Two clamps
• Two clips
• Tripod
• Video light
• Smartphone holder
• USB cable
• Lapel microphone
• Microphone extension cable
• USB-C to 3.5mm jack adaptor
• Lightning to 35mm jack adaptor
• Two-year warranty